Having seen the show some 14 years ago, when Marti Webb starred in the title role, I must confess it became one of my favourite musicals right there and then.

The 1996 film starring Madonna and Antonio Banderas further reinforced my opinion, so this new production had a lot to live up to.

Notices stating that the role of Eva would be played by understudy Natalie Hope caused me a little unnecessary concern prior to curtain-up.

But from the minute she set foot on stage, she proved she possesses the star quality required to play Argentina's most iconic first lady.

Seamus Cullen, a finalist from Any Dream Will Do, plays Che Guevara, and, although he is vocally excellent, unfortunately his performance lacks the cynicism and edginess that defines the role.

Mark Heenehan, as Juan Peron, has a suitably imposing stage presence and an exquisitely clear voice which results in each and every one of Tim Rice's lyrics being heard perfectly throughout the auditorium.

Evita features an array of show-stopping musical numbers, such as Oh, What A Circus!, High Flying Adored, You Must Love Me, and, of course, Don't Cry For Me Argentina. Each and every one of them is delivered beautifully.

A particular highlight, though, is Carly Bawden's rendition of Another Suitcase In Another Hall, which is performed with poignancy and tenderness.

The choreography is slick, stylish and executed with military precision.

Indeed, the entire production has a sophisticated tone that is evident from start to finish.

The set is simple, while also being elegant and functional, and the costumes are indicative of the opulence of Eva's lifestyle.

Overall, this production is a thrilling and spectacular revival of a musical masterpiece.

* Evita is at the Theatre Royal until Saturday, July 4.